Béla Bartók: An Estimate and an Appreciation
Identifieur interne : 002049 ( Main/Exploration ); précédent : 002048; suivant : 002050Béla Bartók: An Estimate and an Appreciation
Auteurs : Ernest ChapmanSource :
- Tempo [ 0040-2982 ] ; 1945-12.
Abstract
The history of nineteenth-century Hungarian art music, like that of England, is mainly one of foreign domination. Although Liszt and his chief national contemporary Ferenc Erkel both gave musical expression to racial consciousness—the one in his employment of popular gypsy airs, the other in a series of patriotic operas—the accumulated weight of German tradition (Liszt) and Italian operatic supremacy (Erkel) was too heavy suddenly to be overthrown. The results, viewed from the standpoint of an indigenous national art, cannot be considered important.
Url:
DOI: 10.1017/S0040298200060757
Affiliations:
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Le document en format XML
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<front><div type="abstract">The history of nineteenth-century Hungarian art music, like that of England, is mainly one of foreign domination. Although Liszt and his chief national contemporary Ferenc Erkel both gave musical expression to racial consciousness—the one in his employment of popular gypsy airs, the other in a series of patriotic operas—the accumulated weight of German tradition (Liszt) and Italian operatic supremacy (Erkel) was too heavy suddenly to be overthrown. The results, viewed from the standpoint of an indigenous national art, cannot be considered important.</div>
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